theater


Capturing the Short, Glamorous Life of a Forgotten Broadway Lyricist

Capturing the Short, Glamorous Life of a Forgotten Broadway Lyricist

John Latouche in Manhattan in the early 1940s, in a photograph reproduced on the cover of Howard Pollack’s biography of the temperamental but beloved lyricist.

Rip Van Winkle, Newly Awake, Meets His Neighbors Onstage

Rip Van Winkle, Newly Awake, Meets His Neighbors Onstage

Liam Craig as the title character, rehearsing for the Hudson Valley Shakespeare Festival adaptation of “Rip Van Winkle.”

Review: ‘Smokey Joe’s Cafe’ Is a Feast of Pop Nostalgia

Review: ‘Smokey Joe’s Cafe’ Is a Feast of Pop Nostalgia

Kyle Taylor Parker, center, holding the title prop of the song “Love Potion No. 9” in “Smokey Joe’s Cafe: The Songs of Leiber and Stoller” at Stage 42.

Review: In an Energized ‘Iceman,’ the Drinks are on Denzel

Review: In an Energized ‘Iceman,’ the Drinks are on Denzel

Denzel Washington, center, as Hickey, sharing a laugh with the barflies in the Broadway revival of “The Iceman Cometh.”

When the ‘Mean Girls’ Were Teen Girls

When the ‘Mean Girls’ Were Teen Girls

Ashley Park, Taylor Louderman and Kate Rockwell, now starring in “Mean Girls” on Broadway, in their own high school yearbook photos.

Coming Soon to a Stage Near You: Yesteryear’s Movies

Coming Soon to a Stage Near You: Yesteryear’s Movies

A scene from “Network,” directed by Ivo van Hove, with (left and onscreen) Bryan Cranston.

New York Has Its ‘Jerry Springer’ Moment, With Arias and Dancing

New York Has Its ‘Jerry Springer’ Moment, With Arias and Dancing

Terrence Mann, as the title character in “Jerry Springer — The Opera,” was lifted up by the cast during rehearsal for a scene about good versus evil.

When the Actors Are Students, and They’re Armed

When the Actors Are Students, and They’re Armed

Alexandria Celia, center, used a squirt gun painted black in “Miss Saigon” at Somerset Berkley Regional High in Massachusetts.

How Much Magic Can ‘Harry Potter and the Cursed Child’ Make on Broadway?

How Much Magic Can ‘Harry Potter and the Cursed Child’ Make on Broadway?

A key component of the costuming, backstage at the Lyric Theater, where “Harry Potter and the Cursed Child” begins previews next month.

Review: Is Edward Albee ‘At Home at the Zoo’? You Bet He Is

Review: Is Edward Albee ‘At Home at the Zoo’? You Bet He Is

Robert Sean Leonard, left, and Paul Sparks in “The Zoo Story,” the one-act that is the second half of “Edward Albee’s At Home at the Zoo” at the Signature Theater.

When Disenfranchised Lives and American Ideals Collide Onstage

When Disenfranchised Lives and American Ideals Collide Onstage

From left: Manny Ureña, Camilo Almonacid and Zuleyma Guevara in “De Novo,” a documentary theater piece based on an actual deportation case.

Review: ‘The Lehman Trilogy’ Is a Transfixing Epic of Riches and Ruin

Review: ‘The Lehman Trilogy’ Is a Transfixing Epic of Riches and Ruin

Simon Russell Beale, Adam Godley and Ben Miles star in Stefano Massini’s “The Lehman Trilogy.”

Review: Dirty Dancing to Henry James in ‘The Beast in the Jungle’

Review: Dirty Dancing to Henry James in ‘The Beast in the Jungle’

Irina Dvorovenko and Tony Yazbeck share intense pas de deux, but are frustrated in love, in the new dance play “The Beast in the Jungle.”

Review: Surprise Lessons From John Lithgow’s ‘Stories by Heart’

Review: Surprise Lessons From John Lithgow’s ‘Stories by Heart’

John Lithgow in his one-man show “Stories by Heart” at the American Airlines Theater.

‘Billy Elliot’ Musical Branded Gay Propaganda in Hungary; Cancellations Follow

‘Billy Elliot’ Musical Branded Gay Propaganda in Hungary; Cancellations Follow

The Hungarian State Opera’s production of “Billy Elliot,” previously popular, was attacked before its summer revival by a columnist in a pro-government newspaper. The article said that the musical’s message of “Dare to be yourself” referred “of course” to being gay.

Review: ‘Harry Potter and the Cursed Child’ Raises the Bar for Broadway Magic

Review: ‘Harry Potter and the Cursed Child’ Raises the Bar for Broadway Magic

A scene on Platform 9¾ in “Harry Potter and the Cursed Child” at the Lyric Theater. From left, Noma Dumezweni as Hermione Granger, Susan Heyward, Paul Thornley, Brooklyn Shuck, Benjamin Wheelwright, Sam Clemmett, Poppy Miller and Jamie Parker as Harry Potter.


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